okay here are two REALLY Quick scans of yesterdays work. The first, closer shot is ISO 100 in H&W Control for 60 minutes stand with 1:75 dilution. the other with the line through it, is 1:15 for 20 minutes with constant agitation. I couldn't attend to it to agitate correctly and it did overwork everything. I love the painterly effects.... These are interesting and mostly useful, especially for scanning. What I DIDN'T upload is the 2 or 3 that were absolutely underexposed only a few yards from these. Lighting angles alone make all the difference between enough and too little exposure. There were a couple that had the nighttime effects the trailer is one of those and I thought I would see what interesting things happened when I adjusted it, although there was very little room for adjustment. H&W Control Water (60ºC) 75 ml Sodium Sulfite, anhydrous 1.9 g preservative Hydroquinone 0.3 g developer agent Sodium Carbonate 8.7 g alkali, accelerator Phenidone 2.07 g developer agent Water to make 125 ml Sodium Sulfite 15.15 g preservative Water to make 250 ml Capacity at 1+15 dilution 4 L for 13 rolls

攝影師：
mike1allison
上載：
2021-03-07
標籤：
"black & white" "low key" "schwarz weiss" 1:15 2238 35mm analog analogue architecture art b&w black and white building bw byn chiaroscuro cityscape cold dark demo dilution dingy film filmisnotdead filmneverdied fun high iso itsfilm kodak landscape lomo lomography misty mountain mountains nature noir outdoors outside overcast panchro panchromatic phenidone pulverantilist railroad sepia shadow snow story sw test tracks train travel vintage winter “H&W control”
相機：
Nikon F4s
菲林：
Eastman Kodak 2238 Panchromatic Separation
鏡頭：
AF Nikkor 35-105mm f3.5-4.5
城市：
Uintah
國家／地區：
United States
相簿：
Kodak 2383 High ISO

3 個留言

  1. charliedontsurf
    charliedontsurf ·

    If this is really iso100 you've worked miracles, it only looks about a stop underexposed. Iso50 would have nailed it, saying that it the dark look suits the subject very well, I particularly like the mountains.

  2. mike1allison
    mike1allison ·

    @charliedontsurf I'll go back and do iso 80 and 50. This is really the outside limit. Negatives are very thin. They scan ok i don't know how well they'd print. They're is a lot of scanner magic going on. That said, thanks btw, that said, it will work in a pinch but not all the time. No real reason for 100 if 50 or 80 will work. But it's cool and amazing

  3. charliedontsurf
    charliedontsurf ·

    @mike1allison yes iso 50 makes it very usable, just one extra stop would make all the difference in everyday use. That's the magic figure that I'd like to achieve with my tasma stock.

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